One of the joys of studying the Dharma, particularly in the context of Zen Buddhism, is to become acquainted with the words of the old teachers, individuals ever creative in their ability to express the inexpressible. One such was Hsüan-sha (835-908). He was a fisherman until at age thirty he took up the Buddha Way. As an ascetic he wore
Maggie explores and valorises the role of ceremony in Zen practice. Ritual objects and actions help us to forget the self and be fully present. They bring sangha into a harmonious one. Beyond formal practice in the dojo, any action in life can be taken with loving care and presence, in the interest of all beings, our mahasangha of One.
Maggie examines a koan which explores the nature of fear as well as the imperative to walk straight into the heart of fear. Finally, it lands on the matter of taking full responsibility, for everything…..with a bow to the Precepts, the Bodhisattva of Compassion and your own unique self. This teisho was given by Maggie Gluek, roshi on day 4
Who is the one working hard? Busy, busy, busy! Take out your broom and sweep the path clean. But beware being driven by a need to get things done or by the desire to get somewhere. In a playful exchange with his dharma buddy, Yunyan challenges us to remember that there is someone who does not work hard. That someone
“Let it go” is almost a mantra in the dojo, where we are encouraged to abandon discursive thinking and return to our single point of practice. It’s instructive to consider the mental and emotional baggage you bring to zazen and thus discover that it is unnecessary. But what if you see the emptiness of phenomena? What if you and I
Not a few of us come to practice to find peace of mind. Just so Huike, the protagonist of this story. Let’s see how determination, faith and surrender help him in his quest and how Bodhidharma turns him upside down. It’s a dramatic tale and one that is foundational to the Zen tradition. This teisho was given by Maggie Gluek,
Chao Chou’s “Oak Tree in the Garden” is, like MU, a primary koan, a door that focusses into the world of Zen practice. It emerges as a response to perennial questions: “What is Zen?” “What is the one mind?” It would seem that all the richness of life is right here, back in your own backyard, as the old song put
It is as though a water buffalois passing through a lattice window.Its head, horns and four legs have all gone through. Why can’t its tail go through? Case 16 Wu’Men Kuan Koans can truly ring like the theatre of the absurd. Their playful logic challenges us. And vast dimensions revealed in practice resolve in the homely and concrete. This teisho
The Bodhisattva of Compassion is a salient figure in the Mahayana tradition and in our Zen sutra service. She (he!) manifests in different genders and forms which speak to us in slightly different ways. But her means are always generous, whether in pronouncing the deepest wisdom, portraying great action, modelling how to be embodied, showing the way of non-separation. In
Zen practice is not a static affair. Realisation is useless unless it is carried forward and shared. Maggie Gluek, roshi explores the way in which practice can only ever be relational. Like the Hermit of Lotus Flower Peak, we must step out into the world, as the world. And engage in “compassionate conversation” with whatever presents itself. This teisho was
